The Quality of Silence Read online

  Praise for Rosamund Lupton

  ‘With Sister, Lupton enters the highly charged ring where the best psychological detective writers spar, her hands raised in a victory clench . . . Like Kate Atkinson, Patricia Highsmith and Ruth Rendell, Lupton builds suspense not only around the causes and details of her story’s brutal denouement, but also around the personalities . . . Both tear-jerking and spine-tingling’New York Times

  ‘Nicci French via Ford Madox Ford. Sister is so ably done, so perceptive about grief and guilt and self-delusion’

  John O’Connell, Guardian

  ‘Lupton’s crisp insights into grief and familial guilt are married to a confidently executed plot. Lupton’s persuasive narrative voice is what keeps this classy debut (on track)’

  Emma Hagestadt, Independent

  ‘Stunningly accomplished from first page to last, this is the most exciting debut thriller I’ve read all year . . . Written with the power and panache of a young Daphne du Maurier; it’s devastatingly good’Daily Mail

  ‘Rosamund Lupton’s Sister grips like a vice’Sunday Times

  ‘An outstanding debut novel . . . It seems wrong to describe a thriller as being elegantly written with sincere emotion, but that is really a surprising description of this fine piece of fiction’Daily Herald

  ‘Superb debut novel . . . the literary equivalent of “scream if you want to go faster” – and, just when you think things are slowing down to a peaceful, settled resolution, there’s one more stomach-churning final turn in store’

  Radio Times

  ‘A remarkable piece of work . . . Lupton shrewdly and compassionately peels back the story’s rich layers . . . providing a genuinely wicked sting at the end. But the key to Sister is Bea’s voice: clear, strong, single-minded, and not to be denied’Seattle Times

  ‘The narrative process is so intimate and delicate . . . the stop-and-start associative movement of Bea’s voice is, as a British review wrote, “utterly compelling”. And the ending, however gently foreshadowed, is a stunner’

  Houston Chronicle

  ‘Lupton’s remarkable debut is a masterful, superlative-inspiring success that will hook readers (and keep them guessing) from page one . . . A chilling, gripping, tragic heart-warming, life-affirming enigma of a story’

  Booklist (starred review)

  ‘Fast-paced, absurdly entertaining . . . Along with a juicy mystery, it resounds with an authentic sense of sisterly love and loyalty’Boston Globe

  ‘A bold, impossible-to-categorise and riveting blend of psychological suspense, literary thriller and the paranormal. Afterwards proves that Lupton isn’t just good – she’s wickedly good’Seattle Times

  ‘Loved The Time Traveler’s Wife? This is even better’Company

  ‘Lupton pushes the boundaries of our imagination with the manner in which the mystery is solved, creating a stunningly good read that’s impossible to second-guess. A literary crime novel that’s as clever in its premise as it is well written’Glamour

  ‘This sophisticated thriller is brilliantly written and utterly gripping’You, Mail on Sunday

  ‘Thrilling’Vanity Fair

  ‘Chillingly good’Red magazine

  ‘A knockout, one of the most inventive crime-fiction novels to come along in a decade’Star, Canada

  ‘In Afterwards, we see a master’s touch on every page. Uncompromising emotional impact, a poet’s sonorous style and a gripping story all come together to make this a transcendent literary experience. I guarantee this novel will touch everyone’Jeffrey Deaver

  ‘I became insanely gripped . . . The word “compelling” is used lightly of mystery and crime novels – this one will define it for you’Daily Mail

  ‘. . . a taut and sinewy narrative . . . masterful pacing and a highly charged atmosphere . . . a stellar sophomore effort’

  Booklist (starred review)

  By Rosamund Lupton

  Sister

  Afterwards

  The Quality of Silence

  little, brown

  First published in Great Britain in 2015 by Little, Brown

  1 3 5 7 9 10 8 6 4 2

  Copyright © 2015 by Rosamund Lupton

  ‘No Possum, No Sop, No Taters’ by Wallace Stevens from The Collected Poems of Wallace Stevens (copyright 1954 by Wallace Stevens and renewed 1982 by Holly Stevens reproduced by permission of Faber & Faber Ltd and Alfred A. Knopf, a division of Random House, Inc.

  ‘Sign for Eternity’ by Leyla Serahat Roshani, translated by Adeeba Talukder and Aria Fani, taken from Peyk magazine, Persian Cultural Center

  Every effort has been made to trace copyright holders for this material. The publisher regrets any oversight and will be pleased to rectify any omission in future editions.

  The moral right of the author has been asserted.

  All characters and events in this publication, other than those clearly in the public domain, are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

  All rights reserved.

  No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

  A CIP catalogue record for this book is available from the British Library.

  HB ISBN 978-0-349-40812-5

  C format 978-0-349-40813-2

  Typeset in Goudy by Palimpsest Book Production Limited, Falkirk, Stirlingshire

  Printed and bound in Great Britain by Clays Ltd, St Ives plc

  Papers used by Little, Brown are from well-managed forests and other responsible sources.

  Little, Brown

  An imprint of Little, Brown

  Little, Brown Book Group

  100 Victoria Embankment

  London EC4Y 0DY

  An Hachette UK Company

  www.hachette.co.uk

  For Tora Orde-Powlett

  It is deep January. The sky is hard.

  The stalks are firmly rooted in ice.

  It is in this solitude, a syllable,

  Out of these gawky flitterings,

  Intones its single emptiness,

  The savagest hollow of winter-sound.

  Wallace Stevens

  My name is a shape not a sound. I am a thumb and a finger, not a tongue and lips. I am 10 fingers raised old – I am a girl made of letters

  R - u - b - y

  And this is my voice.

  Chapter 1

  @Words_No_Sounds

  650 followers

  EXCITEMENT: Tastes like space dust & popping bubble-gum; feels like the thud-bump of a plane landing; looks like the big furry hood of Dad’s Inupiaq parka

  It’s FREEZING cold; like the air is made of broken glass. Our English cold is all roly-poly snowmen and ‘woo-hoo! it’s a snow day!’ a hey-there friendly kind of cold. But this cold is mean. Dad said there were two main things about Alaska:

  For one, it’s really really cold and

  For two, it’s super-quiet because there’s thousands of miles of snow and hardly any people. He must mean the north of Alaska, not here by Fairbanks Airport, with cars’ tyres vibrating on the road and people with suitcase wheels juddering along the pavement and planes scissoring up the sky. Dad is a big fan of quiet. He says it’s not that I’m deaf but that I hear quietness.

  Mum is keeping close to me, like she can wrap me up in another warm layer of her, and I lean right back into her. She thinks that Dad’s snowmobile broke down so he missed his taxi-plane. She says his sat phone must have run out of charge
otherwise he’d have definitely phoned us.

  Dad was meant to meet us at the airport. Instead there was this policewoman who ‘Can’t Tell You Anything Yet I’m Sorry.’ Now she’s striding off ahead of us like we’re on a school trip and the museum’s about to close with the girl gang calling after her, ‘Five minutes in the gift shop, miss!’ but when a woman walks like that you know she’s not going to slow down.

  I’m wearing goggles and a face mask. Dad was super-bossy about what we had to bring with us – proper Arctic gear, Puggle – and now with the broken glass air I’m glad. I never cry, least not when people can see me, because if you start down that slippery slope you could end up wearing a pink tutu. But crying in goggles doesn’t count as public as I don’t think anyone can see. Dad says that up in the north of Alaska your tears can freeze.

  Holding her daughter’s hand, Yasmin stopped walking towards the airport’s police building, causing the young police officer to frown, but for a short while she could pause what was happening. All around them snow had fallen, snow on snow, covering what had once been there in its monotone colour and texture; a scene made of plaster of Paris. By her feet she saw the delicate markings of a bird’s footprints in the snow and realised she was staring downwards. She forced herself to look up, for Ruby’s sake, and was startled by the clarity around her. The snow had stopped falling and the air was dazzling, bright and crystalline, the lucidity astonishing; one more turn of the dial to more clarity still and you’d see each atom of air defined around you. It was as if the scene hovered, too in focus to be real.

  The policewoman just took a newspaper off the table, like I’m a little child who’s not allowed to read newspapers, so I hold up all my fingers to show her I am ten but she doesn’t understand.

  ‘A senior police officer will shortly fill you in,’ she says to Mum.

  ‘She thinks I’m a colouring book,’ Mum signs to me, pretending that she’s OK, trying to make me smile. People often miss Mum being funny, as if people who look like movie stars can’t tell jokes too, which is really unfair. She hardly ever signs to me, she always wants me to read her lips, so I do a smile back, but inside I don’t feel smiley

  Mum says she’ll be back soon and to come and get her if I need anything. I sign ‘OK’, which is raising my thumbs. It’s a sign hearing people use too, which is maybe why Mum doesn’t tell me to ‘USE YOUR WORDS, RUBY’.

  When I say ‘I said’ I mean I signed, which is hand-talking or I typed which is another kind of hand-talking. Sometimes I use an American sign which is like people using an American word when they speak with their mouth.

  There’s 3G in here but I’ve checked and I haven’t got an email from Dad. It was stupid to even hope there would be as:

  For one) his laptop broke two weeks ago and

  For two) even if he’s borrowed a friend’s there’s no mobile signal or Wi-Fi in the north, which is where he must be because his snowmobile broke down; so he’ll have to use his satellite terminal to send me an email and that’s super-hard to do when it’s freezing cold.

  ‘Puggle’ is the name for a baby platypus. Dad films wildlife programmes and he loves platypuses. But a platypus, especially a baby one, wouldn’t survive two minutes in Alaska. You need to have special fur that keeps you warm like an Arctic fox and feet that stop you sinking in snow like a snowshoe hare or be like a musk ox with big hooves that can break ice so you can get to food and water. And if you’re a person then you need goggles and arctic mittens and special clothes and a polar sleeping bag and Dad has all of those; so even if he has broken down in the north where your tears freeze he’ll be all right, just like the Arctic fox and the musk ox and the snowshoe hare.

  I completely believe that.

  And he’ll come and find us. I know he will.

  On the plane from England, which took HOURS and HOURS, I kept imagining what Dad was doing. I was thinking, Dad will be leaving the village now; Dad will be on his snowmobile now; Dad will be getting to the landing strip.

  ‘In the middle of nowhere, Puggle, and the thing about the middle of nowhere is that it is very beautiful and empty because only very few people find it.’

  Dad will be waiting for the taxi plane now.

  ‘Like a letter for the postman, you need to be there on time or you’re not collected.’

  I fell asleep for ages and when I woke up I thought, Daddy will be at Fairbanks Airport now, waiting for us! And I wrote that tweet about Excitement being Dad’s furry Inupiaq parka hood and the thud of the plane landing, although we hadn’t actually landed yet but I thought that would be the most super-coolio feeling ever; bumping down and Dad being so close.

  Then the flight attendant came busy-bodying towards me and I knew he was coming to tell me to switch off my laptop; which would’ve made Mum happy, because she hates thatbloodylaptop. I asked Mum to tell him that I’d put my laptop on flight-safe mode. I wasn’t sure Mum would, because she’d have been super-happy if I’d had to turn it off; but the flight attendant saw me signing to Mum and realised I was deaf and did that thing people do, which is to go all mushy. Dad thinks it’s the combo of beautiful Mum and little deaf girl (me!) that makes them like that – like we’re in a movie on a Sunday afternoon. The mushy flight attendant didn’t even bother to check I was on flight-safe mode after that just got me a free Twix. I hope there aren’t any terrorists who are ten-year-old deaf girls or they’ll just be giving them free sweets.

  I’m nothing like the little girls in those films, and Mum isn’t like a movie star either, she’s too funny and clever, but Dad is quite like Harrison Ford. You know, the kind of person who can disarm a terrorist if he has to but still reads the bedtime story? He finds that really funny when I tell him. And even though he’s never actually had to disarm a terrorist – well duh – he always reads me a story when he’s home, even now I’m ten and a half, and I love falling asleep with his fingers still making words in front of my eyelids.

  Then we landed – bump-thud of the wheels and me super-coolio excited – and I linked up to the free Wi-Fi and posted my tweet and we got our luggage off that roundabout for cases, our legs a little funny after being on a plane for so long and we hurried through to Arrivals. But instead of Dad waiting for us there was a policewoman, who Can’t Tell You Anything Yet I’m Sorry and she brought us here.

  The senior police officer had been delayed, so Yasmin went to check on Ruby. She and Ruby were coming out to spend Christmas with Matt in just four weeks’ time, but after her phone call with him eight days ago she’d needed to see him face to face immediately – as immediately as is possible when you have a child at school and a dog and cat who need looking after and arctic clothes to buy. She’d been worried about taking Ruby out of school but since Matt’s father had died there was no one who Ruby would stay with happily.

  She looked at Ruby through the glass in the door, watching her shiny erratically cut hair falling forward over her face as she bent over her laptop. Ruby had trimmed it herself last Wednesday evening in a Maggie Tulliver moment of hair-cutting independence. At home, Yasmin would ask her to turn off the laptop and enter the real world, but for now she’d let her be.

  Sometimes when Yasmin looked at her daughter time seemed to hit an obstacle and stop, while everyone else’s time moved on without her. She’d missed entire conversations before. It was as if the contractions, begun in labour as pain, continued afterwards as something else, equally strong, and she wondered if this labour had an end to it. Would she still feel this when Ruby was twenty? Middle-aged? Would her mother feel this for her now? She wondered how long you could go on missing being loved by your mother.

  The young policewoman strode up to her – the woman never went anywhere slowly – and told her Lieutenant Reeve was waiting for her and that her suitcases were safely stored in an office, as if the logistics of luggage had equal weight with what Lieutenant Reeve would say to her.

  She went with her to Lieutenant Reeve’s office.

  He stood up to
greet her, holding out his hand. She didn’t take it.

  ‘What’s happened to Matt? Where is he?’

  She sounded angry, as if she was blaming Matt for failing to turn up. She’d been so deeply angry with him that her voice had not yet attuned to this new situation; whatever this situation was.

  ‘There are a few things I’d like to confirm with you,’ Lieutenant Reeve said. ‘We have records for foreign nationals working in Alaska.’

  Since Ruby had been diagnosed as totally deaf (very rare they said, as if her baby’s deafness was a type of orchid), Yasmin had seen sound as waves. As a physicist, she should have done that before, but it took Ruby to comprehend the truth that sound was physical. Sometimes, when she didn’t want to hear what a person was saying – audio-vestibular specialists, thoughtless friends – she imagined surfing over the top of their words, or diving through them, rather than letting the waves hit her eardrums and turn into decipherable words. But she had to listen. She knew that. Had to.

  ‘According to these records,’ Lieutenant Reeve continued, ‘your husband has been staying at Anaktue. Although originally we had him staying at Kanati?’

  ‘Yes, he was there for eight weeks in the summer, at an Arctic research station, making a wildlife film. He met two Anaktue villagers and they invited him to stay in their village. He returned to Alaska in October to stay with them.’

  An unnecessarily detailed, procrastinating answer, but Lieutenant Reeve didn’t hurry with his response either, as if he too didn’t want this conversation to go any further.

  ‘I’m afraid that there has been a catastrophic fire at Anaktue,’ he said.

  Catastrophic. A word for immense devastation, for volcanoes and earthquakes and meteorites striking the Earth, not for the tiny village of Anaktue, more of a hamlet even than a village. The stupid thing was that she’d been coming out here to row with him, to issue ultimatums that she’d intended to carry through. She’d travelled halfway round the globe to tell him that he had to come home, right now, that she didn’t believe him that nothing more would happen with the Inupiaq woman and she wasn’t going to stand by on the other side of the world as this woman destroyed their family. But that had made Matt seem so lily-livered weak, this other woman and herself determining his loyalties and future, that she had become angrier still so that not a single item in hers and Ruby’s cases was folded but hurled and crammed inside, ready to burst out when they were unzipped in Alaska in a fury of down feathers and Gore-Tex.